jarrodis:

single, not sure how to mingle


(Source: 0dessa)

  • Kidnapper: Get in the fukin van
  • Me: Oh ok cool
  • Kidnapper: Wut
  • Me: This is a febreze commercial right
  • Kidnapper: Wut
  • Me: Smells pretty shitty in here to me tbh

In the Untitled Film Stills there are no Cleopatras, no ladies on trains, no women of a certain age.[…]The sixty-nine solitary heroines map a particular constellation of fictional femininity that took hold in postwar America—the period of Sherman’s youth, and the ground-zero of our contemporary mythology. In finding a form for her own sensibility, Sherman touched a sensitive nerve in the culture at large. 

(Source: fearandloathing.co.vu)



(Source: lydiamartindaily)


I said, “The only way I can play someone this hard is for something to be peeled away each week, and the first thing that needs to go is the wig.” I just wanted to deal with her hair. It’s a big thing with African-American women…You start when you’re just a young girl. Do you twist it? Do you leave it natural when it’s so hard to take care of? Then you start wearing wigs but every night before bed you’ve got to take the wig off and deal with your hair underneath. And it’s a part of Annalise that I needed the writers to deal with because I’ve never seen it, ever, on TV and I thought it would be very powerful. It’s part of her mask. - Viola Davis (x)

(Source: getawaywithgifs)


(Source: spookylittlebird)